Let's Draw

I am honored to be part of Let's Draw, an upcoming art exhibition at James Watrous Gallery based on a long-running radio show by the same name. From the gallery's website:

"Let’s Draw" was developed by Wisconsin’s own WHA (now Wisconsin Public Radio) as part of the station’s School of the Air program. These weekly broadcasts wove together stories, dramatic readings, music, and instruction into lively half-hour programs that brought art lessons to rural and underserved communities around the state. The driving force behind Let’s Draw, James Schwalbach, emphasized originality and free expression. Schwalbach’s mantras were "We do not copy" and “Art is fun,” and he urged students to “Sit up straight, hold the crayon loosely, and swing your whole arm with a great big grin on your face.” After introducing each’s week’s theme, Schwalbach would say “There’s that big sheet of paper, and you’re just full of ideas, so let’s draw!”

Every time I read about the "Let's Draw" radio program my heart starts to beat a little faster. What an amazing thing: the gospel of everyone drawing-- on the radio! The show will be up from February 10th - April 9th with an opening reception Saturday, February 18th from 1-3 PM.

This is How We Learn

Lorrie Frear of RIT got us all hand lettering in one of the morning sessions at #Wayzgoose16

A video posted by Katie Ries (@ktries) on Nov 5, 2016 at 11:29am PDT

Map of Burlington

Earlier this year I drew a map of Burlington, VT for the wedding of my friends Sam and Elise. I was sorry not to attend their celebration but drawing this map for them gave me a sweet sense of their rich lives there. Both the map and the snippet below (from the front of the invitations) were drawn on paper with pen, scanned, edited, and colored digitally.

Really Big Dandelions

Continued work on my block for ReallyBIGPRINTS!! The block on the right shown below is by two great SNC art students.  It's crunch time for all of us.

Wanderlust

This past year I got to participate in a unique portfolio exchange. A quick word on portfolio exchanges as they are common in fine art printmaking and a neat way of curating and collecting work, but relatively unknown (as far as I can tell) in the rest of the world.

A portfolio exchange is usually organized by one or two people around a particular theme. The organizer may write a short paragraph or essay about the theme to inspire the participating artists. The organizer also sets the dimensions of the print, any other parameters like technique or paper, and the number of prints in the edition, usually one for each artist plus one or two for touring shows and archives. Each artist in the exchange makes a print in response to the theme, prints the number of prints specified, and sends in her prints to the organizer to be collated. Each participating printmaker gets a full set of prints. It's a great way to connect with other artists, creates a cohesive body of work that's relatively easily shipped and displayed, and can be a good way to collect prints you might not otherwise encounter.

You can see a portion of my print in the E above. 

What made this portfolio exchange unique was that while each artist created original imagery, all the prints were produced by Tamarind master printer Candice Corgan. The full portfolio will be on display soon at the Small Engine Gallery with an opening reception Friday, May 6th. In addition to looking forward to seeing the full portfolio, I am curious to see how my image, made of litho crayon on frosted mylar with transparent collaged elements, translated to print.

Thanks to Candice for this opportunity. If you're in the ABQ region, stop by and see the show.

Work in Progress

I've been slowly chipping away at this drawing of a dandelion for ReallyBIGPRINTS!! this summer. Next I'll add in the gradated lines of the sky. Then: sand my wood, raise the grain, sand again, transfer the image, seal it, and carve, carve, carve. All in time to print in July.

Plywood by Post

I now live in a place that is somewhat lacking in visual arts culture. It exists and some of it is excellent, but it's harder to find and geographically scattered relative to my previous homes. As an extrovert and artist this means I have to work harder to make and maintain the connections that feed my spirit and sustain my work. This need for creative connection is compounded by the recent birth of my son. Though he is a delight, caring for him makes getting to galleries and museums, to say nothing of events after 8 PM, more of a challenge.

All of this led me to stew on how I could cultivate and experience the kind of creative community I seek. Number One on the list: be better about showing up for what's going on in my area. There's the wonderful John Michael Kohler Art Center, the Lakeshore Artists Guild, and the Hamilton Wood Type & Printing Museum to name a few. Number Two on my list is Plywood by Post (#plywoodbypost for the digital savvy), a recently launched collaborative drawing project in which participants will draw on and pass along by mail small pieces of birch plywood. The boards went out earlier this month to 14 artists all over the country-- listed and linked at the end of this post-- and I'm excited to see what happens. 

Wood going out in the world thanks to the USPS. 

I modeled the project after Global Drawing Circles, a project by Thinking Through Drawing, an "interdisciplinary education and research network." In those circles each artist started and then worked in a a sketchbook which we passed on monthly. I don't know if it was the chemistry of my group or the large amount of real estate afforded by a whole book, but my drawing circle did not draw on or into the previous drawings. My expectation here is that the limited space of the plywood will force us to respond to what others have done. These are the participating artists: Alex Cline, Brian Hitselberger, Bud Ries, Chatham Monk, Don Krumpos, Genevieve Lowe, Holly Briggs, Justin Rice, Katie Ries, Rachel Clark, Rachel Schattman, Sara Marie Miller, Susie Ries, Tanyssa Behnke, and Veronica Siehl. (Update! Just added to this mix: Steph Untz.)

I look forward to seeing the project unfold and to the artistic communion of shared drawings (and occasional emails about the project). Need to get my board started soon. 

Birch plywood, 11.75" x 9"

Wisconsin Winter

Three years ago when we knew we were moving to Wisconsin we got lots of advice (some of it solicited) on how to handle winter. I made a drawing about it...and then lost the drawing in a stack of sketches. In cleaning out my studio recently I found the drawing and cleaned it up a little in Photoshop. Here it is. So far, we've been able to do everything except the Packers game. And sometimes, privately, in late winter, we complain about the weather.

Photoshoppery

Below is a screen shot from work in progress. This is a detail of a second drawing to accompany Bruce Tonn and Dori Stiefel's article featuring Willow Pond, an imagined typical American subdivision converted to be more self-sustaining.

It's a great pleasure to be immersed in a detailed and multi-layered drawing like this one. I especially enjoy the transition from drawing on paper with pen and ink to adding color digitally. You can see the first illustration made for the article on my website here. 

justice and love

bell hooks is speaking on our campus tonight with her good friend Gloria Steinem. I'm excited to hear what they have to say. And to see if the much anticipated anti-abortion protesters materialize. I was hired to make some illustrations for the bell hooks residency week. Below is my favorite of the bunch: hooks as Yoda. She is often quoted saying, "Without justice there can be no love." and that struck me as a Yoda-like koan. Karlyn Crowley, head of the Cassandra Voss Center that's bringing hooks to campus, unpacked it better than I can here and so I direct you to her article.

Start Anew

2015! Blistering winds and sub-zero temperatures. Hark, the new year arrives full of potential, promise, and (today) a threatening chill. Behold, the days grow longer. Or so we are told. The lake freezes and thaws and the ice clanks together and freezes again.

New sketchbook freshly sprung from the binding press that sits behind it. 

And in the spirit of new beginnings here is a sketchbook I bound for my Global Drawing Circle, an international collaborative sketchbook conversation facilitated by the fine folks of International Drawing & Cognition Research, "an interdisciplinary research network" who "host drawing symposia, foster collaboration, publish on drawing and cognition, and run educational courses and workshops."

Each member of our circle has started a sketchbook and we will dutifully mail them to one another each month. The idea is to be in conversation with one another through the drawing. It is a different feel than inhabiting one's own personal sketchbook. Here's to welcoming others into our process and the serendipity of collaboration.

Poetic GIFs by Daniel Maw

Daniel Maw is an artist, teacher, and cartoonist. I first saw his work when we were in grad school together, but stumbled back across it recently and was struck by his GIFs. Linked here is one I liked from the Red's Barbershop series. They are brief and poetic.

 Below, a self-portrait of the artist at the gym:

Hungry Turtle

Recently got to work with the newly emerging Hungry Turtle Farm and Learning Center in Amery, WI to produce four illustrations to go in their new building. Hungry Turtle is "committed to supporting sustainable agriculture and land stewardship through education, innovative partnerships, and programming."

I'm excited to continue to work with Hungry Turtle and look forward to seeing how their work grows in Amery. In fact, they'll be hosting Turtle Scouts, their own Land Scout troop! Pretty exciting.

Below are the four illustrations that went up in the windows of the Hungry Turtle building.

Found Painting

Palette from my studio. Best painting I've made in a while.

Red Bird

The mascot for the high school down the street from our house is the Red Bird. It looks like an angry cardinal. The marquee in front of the school spells out in LED lights: It's a Great Day to Be a Red Bird. I find this funny and take it as a challenge. We'll see how great it is to be a red bird.

So far I've draped the veil-like portion of the Red Bird head piece. Need to anchor my head-mannequin so I can lean into it. I love the challenge of moving from drawing to object, although so far the drawings are more exciting and engaging than the red corduroy hood waiting in the studio.

I imagine wearing it and dancing around my neighborhood as if in a music video by Mimi Cave. The neighbors might worry. Or they might join in. Such could be the greatness of being a red bird.

Bartram the Land Scout

I read an article recently about American botanist John Bartram. Accompanying the article was this great drawing of Bartram by Howard Pyle an illustrator considered to be the father of The Golden Age of American Illustration. There's an excellent group of Pyle paintings on exhibit at the Baer Gallery right now. If you live in or near NE Wisconsin, the show will be up through the end of this week.

After it the Pyle show comes down I'll help install Land Scout illustrations in that same gallery. It feels sweet and serendipitous to find this image in common.